Hannah commits Samuel to God (1 Samuel 1:1-28; 2:18-21)

This stained glass scene is of Hannah encouraging her son Samuel – who was to later become a great prophet – to read the Scriptures.

Hannah was married to Elkanah but had been unable to have children, which was something that caused her great pain. During the yearly family pilgrimage to the Temple, in tears she made a vow that if she conceived, she would dedicate her boy to God’s service.

God heard her prayer and she later gave birth to a son, who she named Samuel. After he was weaned (probably at aged three), Hannah took him to the Temple and committed him to God’s service there. Samuel stayed there with the priest Eli, while his mother visited him once a year and made clothes for him. This scene probably depicts one of her regular visits.

Pope St John Paul II explained: “Hannah had a history of suffering in her past, for, as the story says, the Lord “had closed her womb” (I Samuel 1:5). In ancient Israel, a barren woman was considered as a withered branch, a dead presence, in part because she prevented her husband from having continuity in the memory of the generations to follow, an important factor in what was a hazy and uncertain vision of the hereafter.” 

He went on: “But Hannah had put her trust in the God of life and prayed:  “O Lord of hosts, if you will indeed look on the affliction of your maidservant and remember me and not forget your maidservant, but will give your maidservant a son, then I will give him to the Lord all the days of his life” (I Samuel 1:11). And God heard the cry of this humiliated woman and gave her Samuel:  a living shoot that sprang from the dry trunk (cf. Isaiah 11:1); what had been impossible in human eyes had become a tangible reality in that child who was to be consecrated to the Lord.”

The window dates to 1895 and is by Lavers, Barraud & Westlake. Its Latin title, ‘Melior est enim obedientia quam victimae’, is taken from 1 Samuel 15:22 and means ‘obedience is better than sacrifice’. This is the message the prophet Samuel later gave to King Saul, who had disobeyed God. It was also a theme that Christ was to emphasise (Mark 12:33).

See the full image:

Lavers, Barraud & Westlake / Hannah and the boy Samuel / Stained glass / 1895

Where to find this work of art
St James Spanish Place, London

Read the relevant passage
1 Samuel 1:1-28; 2:18-21

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